Shows in 2019-2020
December 4, 2019 – January 25, 2020: 37th Annual Invitational Juried Exhibition
Opening Reception: Friday, December 6 at 7:30 pm
Sponsor: Boyer GMC Bancroft
Closed February
March 4 – March 28, Michael Nathaniel Green – The Invisible Offering: sculpture
Opening reception Friday, March 6 at 7:30pm
Co-Sponsors: Dr. Melissa Fransky, and Drs. J. Rawal and J. Guthrie
April 1 - 25, Shannon Taylor – Remembered, Imagined: mixed media
Deferred to 2021 due to virus pandemic
Co-Sponsors: Micheline Leveque and Gertrud Sorensen
April 29 – May 30, Underneath: Juried Theme Show
deferred to 2021 due to virus pandemic
Sponsor: Camp Ponacka
June 3 – 27, Melinda Shank-Miles - Fragile: paintings
deferred to 2021 due to virus pandemic
Sponsor: Owl Ridge Acres
NEW June 18 – August 29, Allan O’Marra – Recent Figurative Works: paintings
No Opening reception due to precautionary measures
Co-Sponsors: Jean & Glenda Menard, and Hugh & Ingrid Monteith
August 5 – 29, Connie van Rijn – In the Shadows: paintings
Deferred until 2021
Co-Sponsors: Pam Gibb-Carsley and Susan Latremoille
September 3 – 26, David Smith - Lost and Found Project: paintings
No Opening reception due to precautionary measures
Co Sponsors: Ernst Grell & Leilah Ward, and Tom & Mary Robinson
September 30 – October 31: Francis Livingston – Winter Lights and Winter Ice: photography
No Opening reception due to precautionary measures
Co Sponsors: Barbara FitzPatrick, and Ingrid & Hugh Monteith
November 4 – 28, John Climenhage – disLocations: painting
No Opening reception due to precautionary measures
Sponsor: Pat Cooke in Memory of Paul D. Cooke
December 2, 2020 – January 29, 2021, 38th Invitational Juried Exhibition
No Opening reception due to precautionary measures
Sponsor: Boyer Chevrolet Buick GMC Bancroft
Coming Shows
Shannon Taylor – Remembered, Imagined: mixed media exhibition
April 7 - May 1, 2021
Opening reception: Friday, April 9 at 7:30pm, if possible, depending on virus restrictions
Co-Sponsors: Micheline Leveque, Barrister & Solicitor, and Bancroft Home Hardware
About the Artist
Shannon Taylor, a graduate of the Nova Scotia College of Art and Design, with a major in Media Arts (2002). She lives and works in Peterborough Ontario, where she maintains a studio practice, and shows her work frequently. Her studio is open to the public by appointment.
In her artistic practice, she utilises various methods of representation and record-making. These methods include drawing, print-making, painting, photography, and video/audio recording. She has an interest in pattern and surface design and has painted a number of decorative murals in the downtown core of Peterborough and outlying neighbourhoods.
Shannon's work is driven by a love of nature and enjoyment of the contemplative and experimental processes used to create visual art.
Find her online at www.shannontaylor.ca, and on instagram @shannonmicheletaylor
About the Exhibition
This show is a combination of drawing and photographic images combined using rudimentary printmaking methods. The work also incorporates some monoprinting; all of these will be combined in various ways, to create a certain visual effect. Landscapes, portraits, images of cars and houses create mysterious, nostalgic postcard-esque scenes. Created exclusively from images from my personal history and collection of photographs I have taken along the way, these scenes portray a kind of constructed reality in which the places appear to be almost real, but in fact are composite images.
The images resulting from this process have often been described as familiar and nostalgic, as well as stark and mysterious, lending themselves to the idea of postcards, vintage photographs and memory. I like these associations as many of my source images have been taken while traveling, and the people I am portraying are often far away. Memory plays a part in both instances, as do the ideas of distance and travel which also lend themselves to an air of mystery.
One important aspect of memory is that it necessarily includes some elements of fiction, and often represents something of the person who remembers, based on what is remembered or focused on versus what is forgotten. The familiarity of the postcard, and the idea of a snapshot into someone’s experience that a postcard often is, and the mysterious nature of the vintage photograph seem to resonate with the ideas of time, place and memory driving this recent body of work.
“Dreaming” by Shannon Taylor, 24” x 48”
Artist’s Statement
In my work I am going for a subjective idea of time, place and history. Since they are all composite images of drawings paintings and photographs, there is automatically an element of nostalgia there, (pictures are from/of the past). I combine them to make new images, so I like to look at the whole body of this work as an illustrated journey. A window into a realm made out of bits of my personal history, edited and composed by myself. This makes the ‘reality’ more accurate in one sense, since it is more subjective and speaks something of my experience and culture, and less accurate in the another sense, since the images are fabricated, and the places do not actually exist outside of the work.